The Conflict in Theatrical Scripts of (Mohieddin Zanganeh)

Abstract

The aim of this approach is to study the conflict in theatrical texts by (Mohieddin Zanganeh) where there is no doubt that the conflict has a major role in the formulation of a good and influential script, as well as being after the stone corner to build the events of the play, but it is the basis of the relationship between the active characters of the event. The text, which is devoid of good conflict, according to the opinion of critics, is not based on solid foundations, which makes the play lose its drama and its impact on the recipient and the viewer, and therefore it has become necessary to base the conflict on the component that will affect the influential presence and actual presence that enhances the theatrical text and makes it a high level.

The Iraqi playwright (Muhyiddin Zangana) was chosen because he is one of the most prominent playwriters of Iraqi theater and the Arab world, if he can with a rich artistic drama skill, superior linguistic queen and high-style constructive tools to provide Iraqi and Arab theater with serious theatrical texts of human and intellectual value that are glowing and carried out by thought and leadership. This absentee will remain present, a great stature in the cities of Iraqi and Arab culture and literature and one of its original symbols.

This study sought to address the concept of conflict in the theatrical texts of the writer (Mohieddin Zanganeh) relying on the analytical approach - explained the meaning of conflict language and idiomatically and then read in the identity of the writer and then dealt with the first section, which included the two types of conflict (external / internal) ،The second section dealt with a number of factors that lead to the emergence of conflict, including plot, character, and dialogue ،and then the conclusion and results and the most important sources and references.